Best Scene: — Rajat Kapoor's mistress is unable to understand a word he's been using to describe her, until Vinay translates it for her, much to Rajat's horror. Watch all three expressions at this time. Priceless.
4) Taare Zameen Par: Great Movie and it would have been much higher up in the ranking if not for Aamir Khan’s “look-i-am-acting” performance. Surprisingly for once everything about him was off-key; Dialogues – too filmy (in the classroom) too preachy (with parents) too condescending (with other teachers), Tears – too conflicted: too often: too much. Not to mention the cartoonish teachers, the Laloo like hindi teacher with the mandatory hair in the ear, the almost Santa like English teacher with his constant Ho Ho Ho laugh. However the kid and the 1st half was first rate.
Best Scene: The kid bunks school and with Adnan Sami’s mesmeric vocals coaxing Mera Jahaan, we get to see a city from a child’s perspective like never before. Only a child can ‘enjoy’ a drop of paint falling on the cheek.
3) The Namesake. Tabu bids farewell to her new husband in a new apartment in a new city and takes down the cornflakes and adds some chilly powder to make an impromptu jhalmuri. Tabu receives a call that her husband is dead and suddenly alone and feeling suffocated in the house they shared together she stumbles outside and cries her heart out. I could go on but I guess you get the picture.
Best Scene: Gogol’s American girlfriend comes visiting and despite being warned not to, she proceeds to peck Irfan and Tabu on the cheek. Tabu being a woman manages it well enough but watch Irfan as he is brilliantly unsure of what to do exactly; how close to come, how much to peck, 1 cheek or two cheeks, is wife and son watching…. The scene hardly lasts 4-5 seconds but it is as good as it gets.
2) Jab We Met. The story was old. The lead stars were a flop pair. The Director in just his 2nd outing and the budget was about the same as a song in a SRK movie. Yet somehow it turned out to be one of the freshest and funniest movie of the year. As a date movie it had no equal this year. For many years directors and co-stars have talked about Kareena’s potential and here she is in full bloom.
Best Scene: In the second half after being jilted by her lover, a down and depressed Kareena has the tables turned on her when Shahid asks her to pick up the phone and abuse her ex-boyfriend. She is reluctant but as she begins her tirade, her earlier avatar seems to come flooding back into her voice, face and expressions. No make-up, wearing a plain salwaar-kameez and screaming insults into the telephone..... yet she is completely bewitching. Mark my words. Bebo will take home every Best Actress award this year.
1) Chak De India.
Best Scene: The night before the final, Shuklaji, the caretaker from Delhi calls. After the others have spoken, the resident bitch Bindya Niak takes the phone and teases Shuklaji about his dahi-chhawal.
“Jaan se khelna betaji,” he says “Jeet ke aana.”
WORST MOVIE OF THE YEAR nay DECADE nay CENTURY
Ram Gopal Verma Ki Aag.
It’s a pity the Sippy’s did not give Ramu permission to use Sholay as the title. If they had then more people would have gone to watch it and would have come out having even more respect for the original. The movie was not just the worst this year but probably the worst since Sholay came out 20-30 years ago. Ramu always had a huge ego and displayed even greater arrogance but it was always crouched in self deprecating humour. Quite like Amitabh Bachchan. And the two together make such a mess that remakes themselves have gone out of fashion.
There was virtually nothing in the movie worth the watch. Not Amitabh as a confused Gabbar (who for some reason keeps going ‘phuss phuss’), Not Mohanlal as Thakur (who speaks with an accent so pronounced that you wonder why he wasn’t given subtitles), and not Ajay Devgan as Veeru (imagine him taking off his shirt and trying to be sexy and funny too. Eeewwww).
Not even the constant journeys the camera was taking to the bimbo, Nisha Kothari’s ass could save the film.
To sum up, i quote from one brilliant reviewer;
"Ramu with much fanfare excretes out the resultant monstrosity calling it “Ram Gopal Varma ki Aag” where you would think, that in the interests of fair labeling, a “gaand mein” should have been added before “Aag”."
Amen!
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