They say hindsight is 20/20 and while that may be true it can also be very cruel to mediocrity.
My conclusion (like it is some profound theory) is that if your product is not very good then it will not last the test of time. It may work in the ‘now’ but once the euphoria dies down it can end up looking cheesy and dated.
The reason I am thinking all this is because yesterday evening while flicking through the TV channels I came across a re-run of Knight Rider. Having been quite a fan of the talking car K.I.T.T in my childhood I settled down hoping for a trip down nostalgia lane. However my excitement was short lived as the previously exciting series seemed to have become cheesy, overacted and like something out of a time warp. The futuristic talking car looked outdated & common, the attempt at humour was awful and David Hasselhoff’s acting was a pain to watch. Wait a minute. I can’t complain. David always was, and still is a pain to watch. So nothing’s changed there.

Anyway, you might argue and say that it is usually the case with old things but then again, I chanced upon an Enid Blyton book at a friends house which his son was reading and as I flipped through, it seemed to still have the magic that had me enchanted more than 2 decades ago.
If you’ve ever read the Magic Faraway Tree or imagined yourself in the tree house with the Secret Seven or Famous Five you will know what I mean. Infact any child’s formative years is incomplete if they cannot relish the pleasures of letting their imagination run wild with characters like Moonface, Silky, The Saucepan Man, Dame Washalot, Mr. Whatsisname and the Angry Pixie. Or imagining visiting the ‘lands’ that come to the top of the tree, sometimes extremely unpleasant (Land of Dame Slap) or sometimes fantastically enjoyable (Land of Birthdays, Land of Take-What-You-Want etc).

Infact Blyton’s books cater right from nursery (Noddy) through primary school (Faraway Tree) to mid school (Secret Seven, Famous Five) right up to pre-high school (Malory Towers, St. Claire Series).
Anyway coming back to now, so do you think some of the modern ‘hits’ will survive the test of time?
Harry Potter? Certainly!
Rang De Basanti? Yeah!
Amitabh Bachchan’s Personal Legacy vis a vis Amar “P.I.M.P” Singh? Not so much.
Himesh the Crooner? IIIIIIIIIIIIIIIIIIII Don’t think So.
But that’s just my thoughts. Musings you may call it.
Ciao
Vish










Again for just 1 person. Vinay Pathak. He is my choice to take over the empty space left behind by Sanjeev Kumar with a bit of Kishore added for grins.
Tabu bids farewell to her new husband in a new apartment in a new city and takes down the cornflakes and adds some chilly powder to make an impromptu jhalmuri. Tabu receives a call that her husband is dead and suddenly alone and feeling suffocated in the house they shared together she stumbles outside and cries her heart out. I could go on but I guess you get the picture.
The story was old. The lead stars were a flop pair. The Director in just his 2nd outing and the budget was about the same as a song in a SRK movie. Yet somehow it turned out to be one of the freshest and funniest movie of the year. As a date movie it had no equal this year. For many years directors and co-stars have talked about Kareena’s potential and here she is in full bloom.
Lets look at what the film did NOT have. NO Pretty Bollywood heroines, NO songs in Switzerland, NO Love Story and it was about sport. Not Cricket or Football but boring Hockey and that too women’s hockey. However what it did have is a tight script, spot on actors and of course King Khan. It is SRK’s best performance till date.

Some of the wittiest, funniest and yet natural lines spoken by characters in hindi films. One of the best of teh mature love stories. Again Big B was ‘acting’ (watch the completely unnecessary scene in the end where he runs, weeps, hugs a pillar, weeps some more... just to show he can 'act') but Tabu was wonderfully and totally in control. Coy, Shy, Brash, Frank…..every emotion in just the right dose.
Finally Ash acted naturally and mercifully did not pout. However her better half made up for that by hamming away to glory. Abhishek was good in the first half but in the second he turned into a caricature. In the final courtroom speech he was channeling his dad from Agneepath so much that it was miracle he did not launch into the khoon mein lathpath, lathpath, lathpath speech. It is no 7 only for Mithun’s solid performance and AR Rehman’s tunes.
It is the Gujrat riots and an innocent Parsi family loses its son, and lives in constant fear, longing and despair. The film is by a US based director and the story is a true one about a Parsi friend of his who is still looking for their son. The main reason to watch the film is Sarika! Sarika! Sarika! Who knew she had it in her.

